John R. Kelso’s Civil Wars:
A Graphic History - Episode 6

More on the text

Teacher, Preacher, Soldier, Spy, 92-103.  On another occasion, Kelso encountered “a large and active-looking young man” headed in the same direction down an obscure country road.  As they walked along together, Kelso tried to engage the man in conversation, but he was “reticent and non-committal.”  Kelso decided “to break the ice at once by letting him know that I was a southern man . . . .  Without exhibiting the least expression of surprise or pleasure, he gave me a strange look that I did not like, and simply replied, ‘That’s my ticket.’”  Kelso still felt the man’s unfriendly suspicion, and John Russell became a more virulent secessionist, pouring out “a tirade of abuse against the abolition Yankee government.” Yet as he talked and the two walked down the lonely road cutting through a dense forest, the man’s “keen black eyes” only darkened.  As Kelso’s anxiety heightened, John Russell’s denunciations of the Union intensified.

Suddenly, the man had heard enough.  “All at once, with remarkable dexterity, he whipped out his revolver and held it cocked uncomfortably close to my head, exclaiming: ‘I’ll let you know that I’m a Union man.  Now what have you got to say?’”  Kelso knew it was too late to tell the truth.  He could only plead that he was just expressing his political opinions.  “‘Well,’ said he, ‘you might express your honest sentiments without so much uncalled for abuse, and without so many damned lies.’”  The cocked revolver remained at Kelso’s forehead.  Kelso could not draw his own gun, could not do anything but look the fellow steadily in the eye and, finally, keep quiet.  The man hesitated, then dropped his gun, though he still kept it cocked and in his hand, and began walking onward.  Kelso walked on too, silently.  When they came to a fork in the road, the dark-eyed man—perhaps a Union spy too?--went left, Kelso went right, and they parted without a word.

 
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More on the Illustration

This episode just really forced me to think about what it must have been like for Kelso to go into a Confederate household, trying to come across as a rebel.  Meeting these people--he describes the men as not being the sharpest tools in the shed, but the woman being very sharp.  Her eyes catch the hardtack in his pocket. I tried to imagine what he must have felt, that sensation of seeing her eyes catching his pocket, his true identity about to be discovered.  I wanted to capture the moment of that sensation.  I have the suggestion of the men to the left and the right, but the focus is on the woman’s eyes, concentrating, as we do, on the hardtack in the foreground.

I used my son as a model. He was at the kitchen table with a bunch of crackers or something in his pockets and keeping his elbow out of the way. I didn't have a model for the woman. And there’s really not a ton of drawing in terms of her eyes in the background, but it’s very suggestive.You look at her eyes, and you can imagine what Kelso feels.